Monday, 23 November 2015

239. Rock Goes The Gospel - The Jam "In The City"




While only a minor hit on the charts, this mod/punk number is well remembered for serving as England's first introduction to singer/guitarist and Jam songwriter Paul Weller. The song's #40 chart position when the song was first released marked the beginning of his band's streak of 18 consecutive Top 40 singles. After their breakup in 1982, Weller would continue to notch up chart entries well into the 21st century firstly with Style Council, then under his own name. Weller was only 18 when he penned this celebration of youth in the big city. 

The single has the particular distinction of reaching the UK Top 50 on four different occasions. The song originally peaked at #40, then when "Going Underground" became the group's first #1 single three years later, Polydor decided to re-issue all nine of the group's prior singles and "City" was the only one to make the Top 40 again, peaking at #40 for a second time. After the group's breakup at the end of 1982, the record company re-issued every single of the band's career in early 1983 and this time "City" peaked at #47. Finally, in May 2002, Polydor decided to commemorate the 25th anniversary of The Jam by re-releasing their debut single in its original packaging, in its original 7" vinyl record format, and at its original price of 75 pence. The limited pressing sold out immediately, this time peaking at #36, higher than it ever did in its original release and two subsequent reissues.

Paul Weller recalled the penning of the song to Mojo in 2015: "We had a different sort of birth to a lot of the bands, our contemporaries of that time. Because we'd been playing for five years – pubs and working men's clubs and anywhere that would have us really. I'd been plating since I was 14, sort of semi-pro if you like. So I never got the thing about not turning your guitar." "I wrote this after I'd seen the Pistols and The Clash and I was obviously into my Who phrase. I just wanted to capture some of that excitement." "It was a big tune for us. We'd open our set with it, we'd probably play it at the end and if we could get an encore, we'd play it again. The reaction it got from the audience, we knew it was a big tune." "I'm not sure about some of the lyrics in … I was 17, 18 man. But it was a good youth anthem, I thought."


In the city there's a thousand things I want to say to you
But whenever I approach you, you make me look a fool
I wanna say, I wanna tell you
About the young ideas
But you turn them into fears

In the city there's a thousand faces all shining bright
And those golden faces are under 25
They wanna say, they gonna tell ya
About the young idea
You better listen now you've said your bit-a

And I know what you're thinking
You're sick of that kind of crap
But you'd better listen man
Because the kids know where it's at

In the city there's a thousand men in uniforms
And I've heard they now have the right to kill a man
We wanna say, we gonna tell ya
About the young idea
And if it don't work, at least we still tried

In the city, in the city
In the city there's a thousand things I want to say to you


Paul Weller recalled writing this song to Q magazine April 2011: "It was the sound of young Woking, if not London, a song about trying to break out of suburbia. As far as we were concerned, the city was where it was all happening; the clubs, the gigs, the music, the music. I was probably 18, so it was a young man's song, a suburbanite dreaming of the delights of London and the excitement of the city. It was an exciting time to be alive. London was coming out of its post-hippy days and there was a new generation taking over. The song captured that wide-eyed innocence of coming out of a very small community and entering a wider world, seeing all the bands, meeting people, going to the clubs, and the freedom that it held." The song's descending opening bassline re-appeared a few months later on the Sex Pistols' single "Holidays in The Sun." Weller subsequently had a scrap with Pistols bassist Sid Vicious in the Speakeasy Club over the pilfering of the riff. The bible reading this morning has a "City" feel to it. Taken from Jeremiah chapter 29 we find a promise of peace and prosperity.


The prophet Jeremiah began his ministry in Jerusalem around 627 and saw it fall to Nebuchadnezzar in 597. At the beginning of Jeremiah’s prophesies Josiah was the king. Josiah had purified the current worship practices by removing the sacred shrines and sacrifices. He made Jerusalem the center of sacrificial practices. Josiah’s reign was relatively peaceful, but he became involved in a war with Egypt resulting in his death. Jerusalem rapidly deteriorated with a quick turnover of kings and the continued rise of Babylon. The Babylonian exile occurred after the fall of Jerusalem. Chapter 29 of Jeremiah is termed aletter to the exiles. Jeremiah goes against the prevailing opinion, telling the exiles they need to settle down in Babylon for a long stay. The book of consolation, chapters 30-33, says that the people are experiencing exile and contains the promise that they will be restored to the land of Judah. At that time, God will make a new covenant with them which will be written on their hearts. Jeremiah prophesies that they will never be overthrown again.


But seek the welfare of the city where I have sent you into exile, and pray to the Lord on its behalf, for in its welfare you will find your welfare (Jer. 29:7). Those in exile should not expect an early return to their homeland despite what other prophets are saying. They should settle down where they are, making a life for themselves in Babylon. They need to know that God is present with them in exile. They can expect to return after seventy years (Jer 29:10). They not only need to settle down, they need to seek the welfare of the Babylonian city in which they are living. They should to pray on its behalf, because the welfare of exiles and captors is bound together. Walter Brueggeman writes about this passage. “It’s a shocking decree. The slavers were commanded to pray for their captors; to seek the welfare of this foreign city; to invest in real estate and engage in commerce in a land wholly unfamiliar and hostile toward them. It’s unfathomable to think about life as the enslaved cheering for my enslaver. If God commanded Israel to invest in the welfare of their captive city, it makes me wonder how much he desires for us to love, cherish and invest in our neighbourhoods, cities which are far from hostile.”


How are we to live in the city? There are several approaches. The first is the rabbit approach. The rabbit stays in its burrow to avoid danger. It pops its head out, sees that the coast is clear, and then hurriedly runs to get some food before quickly returning to its safe haven. This approach sees the city as full of evil, and one must avoid it as much as possible.


The second approach is the chameleon. A chameleon is able to adapt its skin color according to the situation, hence is able to hide. This approach to the city is not prophetic, but simply desires to fit in with the local surroundings.


Neither of these approaches—avoiding or totally blending in—is helpful. I prefer to think a better way is engaging the city, like a pet dog. A dog moves about, meetings its needs, but also helping. A dog can fetch your paper, play Frisbee with you, and protect you from thieves. The dog approach is one that sees problems and tries to address them. But a dog is not so conformed by the city that its essential nature is lost.


There are basically three English translations of a key phrase in this verse. The King James Version says “seek the peace of the city.” The New International Version and the English Standard Version say “seek the peace and prosperity of the city,” and the New Revised Standard Version is  “Seek the welfare of the city.” Obviously, the later translations are trying to get at the meaning of shalom because the English word ‘peace’ has become so watered down in the last four hundred years since King James sponsored his translation. We usually think of shalom as an expression for peace. The meaning of shalom goes farther. It means wholeness and health. Shalom refers to the internal peace we have in our soul, spirit, and body. But shalom is even more than that. It applies to our relationships at work and to our relationship with nature and creation. As one author wrote, “To have shalom is to be whole and healthy in yourself and in all that challenges you, be it people, be it the issues of your world, your environment, your society, or be it the problems which are at hand, the problems which await you.”


In current missiological terms, to seek the welfare of the city—to seek the shalom of the city—is described as community transformation. The goal of community transformation is: 1) to restore people to a full expression of their humanness as made in the image of God; 2) to promote trusting, reconciled and just relationships with people; 3) to form communities that have a shared vision, a sense of community; 4) to create new institutions and restore existing systems and structures; and 5) to seek God in all that we are and do, so that God’s kingdom and glory may become more present on earth as it is in heaven.


It is fitting to close with another verse from the book of Jeremiah as we seek the welfare of the city. Jeremiah quotes from the Lord in chapter 22, verse 16, “He defended the cause of the poor and needy, and so all went well.” Now, let me read the entire verse, because the last bit is super important. “He defended the cause of the poor and needy, and so all went well. Is that not what it means to know me?” declares the Lord.” If we truly want to know God, we need to defend the cause of the poor and needy. For those of us who spend so much time in the Word, so much time in reading and worship and studying in our attempts to better get to know God, we dare not forget the poor and the needy. It is their welfare we seek, for as the Lord later reminded us, “In so much as you have done it to the least of these; you have done it to me” (Mt 25:45).


"In The City" by The Jam was about a new generation who had thoughts about where they live. the song portrays things in thousands - "A Thousand Things" "A Thousand Bright Faces" "A Thousand Men in Uniform" and captures a new Idea, a new thing that is emerging in the Urban landscape. This too is what was going on in Jeremiah - God was doing a new thing for the people of God they were to seek SHALOM where they were. May I encourage you to see the welfare of those around you today.





All the devotions this week will be on the theme of living in "THE CITY" 

Friday, 20 November 2015

238. Rock Goes The Gospel - Squeeze "Tempted"


"Tempted" was the second single released from Squeeze's fourth album, East Side Story. Over the years it has become one of Squeeze's best-known songs, despite failing to crack the Top 40 in any country in which it was released (UK No. 41, Canada No. 45, US No. 49, Australia No. 90); Stewart Mason of AllMusic remarked, "Although its increasing ubiquity on '80s hits radio and on television (it was used in a successful clothing commercial in 2003) would suggest otherwise, Squeeze's "Tempted" was not actually a hit single."  The song later became ingrained in public consciousness due to its use in commercials by Burger King and Heineken, film soundtracks like that of Reality Bites (which featured a 1994 remix), and the video games Grand Theft Auto: Vice City (on the in-game radio station Emotion 98.3, and subsequently on the real-world CD, vol. 3, of the game soundtrack), and Rock Band. To this day, "Tempted" still gets moderate airplay from Classic hits, Classic rock and adult alternative-formatted radio stations. Unlike other Squeeze songs, which are usually sung by guitarist/songwriter Glenn Tilbrook or less often by guitarist/lyricist Chris Difford, the song's lead vocal is sung by keyboardist Paul Carrack, though Tilbrook and producer Elvis Costello also trade a few lines in the second verse (in the video and during live performances Difford sings the Costello parts; since Carrack's departure, Tilbrook has sung the lead vocal as well as his own original lines when live). The song was written by Difford and Tilbrook.


I bought a toothbrush, some toothpaste
A flannel for my face
Pajamas, a hairbrush
New shoes and a case
I said to my reflection
Let's get out of this place

Passed the church and the steeple
The laundry on the hill
Billboards and the buildings
Memories of it still
Keep calling and calling
But forget it all, I know I will

Tempted by the fruit of another
Tempted but the truth is discovered
What's been going on
Now that you have gone

There's no other
Tempted by the fruit of another
Tempted but the truth is discovered

I'm at the car park, the airport
The baggage carousel
The people keep on [Incomprehensible]
Ain't wishing I was well
I said it's no occasion
It's no story I could tell

At my bedside empty pocket
A foot without a sock
Your body gets much closer
I fumble for the clock
Alarmed by the seduction
I wish that it would stop

Tempted by the fruit of another
Tempted but the truth is discovered
What's been going on
Now that you have gone

There's no other
Tempted by the fruit of another
Tempted but the truth is discovered

I bought a novel, some perfume
A fortune all for you
But it's not my conscience
That hates to be untrue
I asked of my reflection
Tell me what is there to do?

Tempted by the fruit of another
Tempted but the truth is discovered
What's been going on
Now that you have gone

There's no other
Tempted by the fruit of another
Tempted but the truth is discovered

Tempted by the fruit of another
Tempted but the truth is discovered
Tempted by the fruit of another
Tempted but the truth is discovered

Tempted by the fruit of another
Tempted but the truth is discovered
Tempted by the fruit of another
Tempted but the truth is discovered


Squeeze singer and guitarist Chris Difford wrote the lyrics to this song. He explains: "Tempted was written in a cab on the way to Heathrow, I just wrote down what I saw and how I felt as we wormed our way through the traffic. I also must have anticipated a good time on tour as the chorus suggests."
Paul Carrack sang lead on this. He also sang with the bands Ace ("How Long") and Mike And The Mechanics ("The Living Years"). In 1987, he had a solo hit with "Don't Shed a Tear." Carrack was with Squeeze for their East Side Story album, replacing Jools Holland on keyboards and also contributing vocals. He rejoined Squeeze in 1993 for their album Some Fantastic Place, and sang on a new version of "Tempted" that the band recorded for the soundtrack of the 1994 movie Reality Bites.
Elvis Costello produced this track. You can hear him singing on the second verse. This was the first Squeeze song to crack the charts in America. Squeeze was already a big deal in their native England, where they had 7 Top-40 hits to this point. They managed just 2 more US hits: "Hourglass" and "853-5937," but "Tempted" remains their most enduring song in the States, where it continues to get airplay. Glenn Tilbrook, who writes the music for Squeeze, considers this one of his favorites. Says Tilbrook: "It was a sort of breakthrough song for us, in spite of the fact that it wasn't a hit, it was our first song. It was when we grew up, really, as a band. When we finished it I couldn't quite believe it was us." (Read more in our interview with Glenn Tilbrook and Chris Difford of Squeeze.) The bible passage this morning is taken from Genesis 3:1-7 and the theme is self expanitory  "TEMPTATION"



But before we get started, let's get this straight, it's not Eve's fault!The serpent is the trickster. Adam and Eve are the dupes. It's not like Eve had to go to the back to get Adam. Look at the passage, he's right there with her. He's just standing there not saying anything. That either makes Adam the strong silent type or big and just plain stupid. You pick, it doesn't matter in the end. Here's the key point, Eve saw what the serpent was saying, the fruit was a delight to her eyes, to everybody's eyes. They ate the fruit and they discovered the truth, truth they never were intended to know.


It's kind of a theme for this song isn't it. The forbidden fruit of the Garden of Eden, the ultimate temptation. Tempted by the fruit of another, tempted but the truth is discovered. This is the song about someone who is leaving town after a love affair ends badly. Packing up and leaving town, it's telling that one of the places that gets the attention of the singer on the way to the airport is a church.


But the memory of the place, in the place the garden, don't leave the singer alone. The memory of the Garden still are a part of the human experience. We long for paradise, we long to live side by side with God as beloved children, not as rebellious imps. But to this day we are still tempted by the fruit of another, tempted but the truth is discovered. Like the singer we try to make amends. The singer spends a fortune. We call it "salvation by works." Neither have the desired effect. We are saved by grace through faith. We are saved by the work of God in Christ. We are saved not by what we do, because what we do is forever tainted. We aren't tainted by what happened in the garden, we're tainted because what happened in the garden is what humans do with perfect freedom. Tempted by the fruit of another, tempted but the truth is discovered.


But the one who gives that freedom never turns from us. The one who gives that freedom stays alongside us to welcome us with open arms. It may be too late for the singer and that mythical other, but our lives and our Lord are not mythical.






Thursday, 19 November 2015

237. Rock Goes The Gospel - "Pride In The Name Of Love" U2


‘Pride (In The Name Of Love),’ the lead single from U2‘s fourth album, ‘The Unforgettable Fire,’ was a tribute to Dr. Martin Luther King. The civil rights pioneer was assassinated on April 4, 1968. ‘Pride’ was almost universally applauded for its sentiment, made it to No. 3 in the U.K., and was the band’s first Top 40 hit in the States. However, one critic of the song was none other than the song’s lyricist, Bono. In the authorized band bio ‘U2 By U2,’ Bono said “I looked at how glorious that song was and thought: ‘What the f— is that all about?’ It’s just a load of vowel sounds ganging up on a great man. It is emotionally very articulate — if you didn’t speak English.” Though initially written as a song condemning president Ronald Reagan and his pride in the military strength of the U.S., a visit to an MLK exhibit at the Chicago Peace Museum in 1983 along with a couple of books that Bono had been reading at the time, one on Martin Luther King and Malcom X, altered the lyrics. He contrasts the approaches of the peaceful King with the more militant X: “One man come in the name of love / One man come and go / One man come, he to justify / One man to overthrow”


One man come in the name of love
One man come and go
One man come he to justify
One man to overthrow

In the name of love
What more in the name of love
In the name of love
What more in the name of love

One man caught on a barbed wire fence
One man he resist
One man washed up on an empty beach
One man betrayed with a kiss

In the name of love
What more in the name of love
In the name of love
What more in the name of love

Nobody like you
Somebody wants to
Somebody to you

Early morning, April four
A shot rings out in the Memphis sky
Free at last, they took your life
They could not take your pride

In the name of love
What more in the name of love
In the name of love
What more in the name of love
In the name of love
What more in the name of love
In the name of love
What more in the name of love

Nobody like you
Somebody sees you
Nobody, you're all

In the name of love
What more in the name of love
In the name of love
What more in the name of love
In the name of love
What more in the name of love
In the name of love
What more in the name of love



The basic theme of martyrs, peace and love along with references to King (and Jesus Christ), paint pride as a universal concept of understanding, awareness and respect for humanity as opposed to using the word in an arrogant or boastful way. The “‘Free at last,’ / They took your life / They could not take your pride” line is a reference to King’s legendary 1963 ‘I Have A Dream’ speech, but the phrase is actually older, dating back to an an old spiritual song. A factual error in the lyrics is the time of day King was killed. The lyric states “early morning, April 4,” but he was actually killed that evening. Bono later became aware of the mistake and has, from time to time, changed the lyric in live performances of the song to note the correct time of day. The Bible reading today is a reading for Martyrs who lay down their lives in the cause of freedom. In Acts 1:1-10 we have the story of the resurrected Jesus giving instructions to his disciples about their mission in the world.


The book of Acts begins with a post-resurrection interaction between Jesus and his disciples. Jesus teaches his disciples about “the kingdom of God” (Acts 1:3). They respond with a question about establishing the kingdom of God, “Lord, is this the time when you will restore the kingdom to Israel?” (Acts 1:6). Jesus’ response relates closely to our lives as witnesses.


First, Jesus closes down the disciples’ curiosity about the timeline of God’s plan. “It is not for you to know the times or periods that the Father has set by his own authority” (Acts 1:7). We are to live in anticipation of the fullness of God’s kingdom, but not in a way that wonders about the precise timing of God’s return in Christ. Second, Jesus does not deny that God will establish a kingdom that is tangible, that is “to restore the kingdom to Israel,” as the disciples’ question put it.


Jesus’ disciples were all well versed in the Scriptures of Israel. They knew that the kingdom described by the prophets was no other-world reality, but that it was a real kingdom of peace and justice in a world renewed by the power of God. Jesus does not deny the reality of this coming kingdom, but he expands the boundaries of the disciples’ expectation by including all creation in the hoped-for kingdom. This is not merely a new kingdom for the territory of Israel, but “in Jerusalem, and in all Judea and Samaria, and to the ends of the earth” (Acts 1:8).

The fulfillment of this kingdom is not yet (“at this time”) but it is here, in this world.

The kingdom of heaven comes to earth, and God dwells here, in the redeemed world. Why is it not here yet? Jesus’ teaching suggests that part of the answer is because his disciples have work (Action) to do. Human work (Action) was needed to complete God’s creation even in the Garden of Eden (Genesis 2:5), but our work (Action) was crippled by the Fall. In Acts 1 and 2, God sends his spirit to empower human work. (Action) “You will receive power when the Holy Spirit comes on you; and you will be my witnesses” (Acts 1:8a). Jesus is giving his followers a vocation—witnessing, in the sense of bearing witness to the Spirit’s power in every sphere of human activity—that is essential to the coming of the kingdom. God’s gift of the Holy Spirit fills the gap between the essential role that God assigned to human work (Action) and our ability to fulfill that role. For the first time since the Fall, our work (Action) has the power to contribute to fulfilling God’s kingdom at the return of Christ. Scholars, by and large, view Acts 1:8 as the programmatic statement for this second of Luke’s two volumes. Bearing witness also has thoughts of christian martyrdom as the word witness in Acts 1:8 could be also translated as Martyr.


Indeed, the entire book of Acts can be taken as a (sometimes faltering) expression of the Christian Action to bear witness to the risen Jesus. But bearing witness means far more than evangelising. We must not fall into the mistake of thinking Jesus is talking only about the action of the individual sharing the gospel with an unbeliever through his or her words. Instead, bearing witness to the coming kingdom primarily means living now according to the principles and practices of God’s kingdom. The most effective form of Christian witness is often—even primarily—the shared life of the community on a day to day basis.

The shared Christian action of witness is possible only through the power of the Holy Spirit. The Spirit transforms individuals and communities in ways that result in the sharing of the fruits of human labour—especially power, resources, and influence—with the community and the surrounding culture. The community witnesses when the strong aid the weak. The community witnesses when its members use their resources to benefit the wider culture. The community witnesses when those around see that working in the ways of justice, goodness, and beauty leads to fuller life. The locations mentioned by Jesus reveal that the witness of the disciples puts them in social danger. Jesus’ group of Jewish disciples is commanded to speak for a man who has only recently been crucified as an enemy of the Roman Empire and a blasphemer of the God of Israel. They are called to take up this action in the city in which their teacher was killed, among the Samaritans—historic, ethnic enemies of the Jews—and in the broad reaches of the Roman Empire.


In summary, Acts begins with an orienting action that calls Jesus’ followers to the primary task of witness. Witness means, above all, living in accordance with the ways of God’s coming kingdom and laying down your lives for those around you. The action of Jesus. As we will see momentarily, the most important element of this life is that we work primarily for the good of others. This action of witness is made possible by the power of the Holy Spirit and is to be exercised with little regard for social barriers. This action does not denigrate the value of human work or the working lives of Jesus’ disciples in favour of proclaiming Jesus by word alone. Quite the opposite, Acts will argue forcefully that all human interaction can be a fundamental expression of God’s kingdom. Acts shows what it is like to Act Justly, Love Mercy and to Walk Humbly with your God.


We have an opportunity to act for the benefit and blessing of others. When we see injustice....ACT. When we see a lack of Mercy and Grace.....ACT. When we encounter the poor ......ACT. When we have opportunity to do good.....ACT. This is what was behind the lives of MLK and many others from the civil rights movement. As we occupt this space there if no place for false pride... except for PRIDE in the name of Love.





Wednesday, 18 November 2015

236. Rock Goes the Gospel - Guns & Roses "Welcome to the Jungle"


This song is about Los Angeles. It exposes the dark side of the city many people encounter when they go there to pursue fame. Guns N' Roses knew this side of the city well: in 1985, they lived in a place on Sunset Boulevard in Los Angeles that they called "Hell House." The house was often filled with drugs, alcohol and groupies. Axl Rose wrote the lyrics when he was in Seattle, which gave him some perspective on the size of Los Angeles. Slash (from the notes to Guns N' Roses: The Hits): "I was at my house and I had that riff happening and Axl came over and he got those lyrics together, and then the band sort of arranged it. We got an arrangement for the whole band, 'cause that's how we work. Someone comes in with an idea and someone else has input and in that way everyone's happy. That came together really quickly too, that was arranged in one day."


Welcome to the jungle we've got fun and games
We got everything you want honey, we know the names
We are the people that can find whatever you may need
If you got the money honey we got your disease

[Chorus]
In the jungle, welcome to the jungle
Watch it bring you to your knnn knne knees, knees
I want to watch you bleed

Welcome to the jungle we take it day by day
If you want it you're gonna bleed but it's the price to pay
And you're a very sexy girl that's very hard to please
You can taste the bright lights but you won't get there for free
In the jungle welcome to the jungle
Feel my, my, my serpentine
Ooh, I want to hear you scream

Welcome to the jungle it gets worse here every day
Ya learn to live like an animal in the jungle where we play
If you hunger for what you see you'll take it eventually
You can have everything you want but you better not take it from me

[Chorus]

And when you're high you never ever want to come down
So down, so down, so down, yeah

You know where you are?
You're down in the jungle baby, you're gonna dieee
In the jungle welcome to the jungle
Watch it bring you to your knees, knees
In the jungle welcome to the jungle
Feel my, my, my serpentine
In the jungle welcome to the jungle
Watch it bring you to your knees, knees
In the jungle welcome to the jungle
Watch it bring you to you
Its gonna bring you down, ha!!




In 2007 Rolling Stone magazine ran a feature on the 20th anniversary of Appetite For Destruction. They explained that a famous lyrics from this song originated when Axl Rose spent a night in a Queens schoolyard before joining the band. Said Rose: "This guy said, 'You're in the jungle! You gonna die.'" On 93.1 WIBC FM, a radio station in Indianapolis, Indiana, Jake Query a friend of Axle Rose, gave a different account, saying: "when Axl Rose hitchhiked to Los Angeles, California, on the last leg, a truck driver drove him to Los Angeles, and when Rose got out of the truck, the truck driver said 'Welcome to the Jungle." In our reading today in Jeremiah 29:4-7 and in the reflection below we contemplate what living in the asphalt Jungle (The City) might look like and feel like as a follower of Jesus. 


ONE: I had a dream. And I saw a city, A city that rose up out of the crust of the earth. And it’s streets were paved with asphalt, And a river of dirty water ran down along it’s curbs. It was a city and its people knew no hope.They were chased and herded from place to place by the churning jaws of bulldozers.They were closed up in the anonymous cubicles of great brick prisons called housing projects. They were forced out of work by the fearsome machines and computers, and by the sparseness of their learning.They were torn into many pieces by the hostile angers of racial fears and guilt and prejudice.Their workers were exploited. Their children and teen-agers had no parks to play in. No pools to swim in, No space in crowded rooms to learn in, No hopes to dream in, and the people knew no hope. Their bosses underpaid them.Their landlords overcharged them.Their churches deserted them. and all of life in the city seemed dark and wild, like a jungle, A jungle lined with asphalt. and the people sat in darkness


TWO: I had a dream, and I saw a city, a city clothed in neon-lighted darkness. and I heard people talking. and I looked at them. Across their chests in large, golden letters-written by their own hands-Across their chests were written the words:“I am a Christian.”And the Christians looked at the city and said;“How terrible…How terrible…How terrible.”And the Christians looked at the city and said:“ That is no place to live, but some of our people have wandered there, and we must go and rescue them. and we must go and gather them, like huddled sheep into a fold; and we will call it a City Church.”So they built their church. and the people came, and they walked past all the weary, broken, exploited, dying men who lined the city’s streets.Year after year they walked past,Wearing their signs: “I am a Christian.” Then one day the people in the church said:“This asphalt is too bad for good Christians.Let us go to the suburbs where God dwells, and build a church there. and one by one they walked away, past all the weary, broken, exploited, dying people.They walked fast. and did not hear a voice that said:“…the least of these…the least of these…”And they walked by, and they went out, and they built a church.The church was high and lifted up, and it even had a cross. but the church was hollow,And the people were hollow, And their hearts were hard as the asphalt streets of the jungle.


THREE: I had a dream.And I saw a city, A city clothed in bright and gaudy darkness. And I saw more people with signs across their chest. And they were Christians too. And I heard them say: “How terrible…how terrible…how terrible. The city is filled with sinners:To save sinners,To save sinners. But they are so unlike us,So bad, So dark, So poor, So strange, But we are supposed to save them…To save them.”And one person said:“Can’t we save them without going where they are?”And they worked to find a way to save and be safe at the same time. Meanwhile, I saw them build a church, And they called it a Mission, A City Mission: And all the children came by to see what this was. And the city missionaries who had been sent to save them gathered them in. So easy to work with children, they said, And they are so safe, so safe. And week after week they saved the children(Saved them from getting in their parent’s way on Sunday morning). And in the dream the City Missionaries looked like Pied Pipers, with their long row of children stretched out behind them, And the parents wondered in Christianity was only for children. And when the missionaries finally came to see them, and refused to sit in their broken chair, and kept looking at the plaster falling, and used a thousand words that had no meaning, and talked about rescuing them from hell while they were freezing in the home, and asked them if they were saved, and walked out into their shiny care, and drove off to their nice, safe neighborhood- When that happened, the parents knew; This version of Christianity had no light for their jungle.Then, soon, the children saw too; it was all a children’s game; And when they became old enough they got horns of their own, And blew them high and loud, And marched off sneering, swearing, into the darkness.


FOUR: I had a dream, And I saw the Christians in the dark city, And I heard them say:“We need a revival to save these kinds of people.”And they rented the football stadium, And they called in the expert revivalist, And every night all the Christians came, and heard all the old, unintelligible, comfortable words, and sang all the old assuring songs, and went through all the old motions when the call was made. Meanwhile, on the outside, All the other people waited impatiently in the darkness for the Christians to come out, and let the football game begin.


FIVE: I had a dream. And I saw Christians with guilty consciences, And I heard them say:“What shall we do? What shall we do? What shall we do? These people want to come to OUR church, To OUR church.”And someone said: “Let’s build a church for THEM, For THEM alone.  They like to be with each other anyway.”And they started the church, And the people walked in. And for a while, as heads were bowed in prayer, they did not know. But then, the prayers ended, And they people looked up, and looked around, And saw that every face was THEIR face,THEIR face, And every colour was THEIR colour, THEIR colour. And they stood up, and shouted loudly within themselves:“Let me out of this ghetto, this pious, guilt-built ghetto.”And they walked out into the darkness, And the darkness seemed darker than ever before, And the good Christians looked, and said,“ These people just don’t appreciate what WE do for THEM.”  And the good Christians failed to see that what was needed was one church for all.


SIX:  And just as the night seemed darkest, I had another dream. I dreamed that I saw young people walking, Walking into the heart of the city, into the depths of the darkness.They had no signs, except their lives. And they walked into the heart of the darkness and said:“Let us live here, and work for light.”They said, “Let us live here and help the rootless find a root for their lives. Let us live here, and help the nameless find their names.”They said, “Let us live here and walk with the jobless until they find work. Let us live here, and sit in the landlord’s office until he gives more heat and charges less rent.”They said, “Let us live here, and throw open the doors of this deserted church to all the people of every race and class; Let us work with them to find the reconciliation God has brought.”And they said, “Let us walk the asphalt streets with the young people, sharing their lives, learning their language, playing their sidewalk, backyard games, knowing the agonies of their isolation.”And they said, “Let us live here, and minister to as many people as God gives us grace, Let us live here,And die here, with our brothers and sisters of the asphalt jungle, Sharing their apartments and their plans.”And the people saw them, And someone asked who they were, A few really knew-They had no signs-But someone said he thought they might be Christians, And this was hard to believe, but the people smiled; And a little light began to shine in the heart of the asphalt jungle.


SEVEN: Then in my dream I saw young people,And I saw the young men and women. Those who worked in the city called Leeds, Bradford, Manchester London, Glasgow and Cardiff ,And they were weary, And the job was more than they could bear alone, And I saw them turn, turn and look for help, And I heard them call:“Come and help us,Come and share this joyful agony, joyful agony, Come as brothers in the task, Come and live and work with us,Teachers for the crowded schools, Doctors for the overflowing clinics,Social workers for the fragmented families, Nurses for the bulging wards, Pastors for the yearning flocks,Workers for the fighting gangs, Christians.Christians who will come and live here, Here in the heart of the darkness,Who will live here and love here that a light might shine for all.Come.” I heard them call, And I saw the good Christians across the country, And their answers tore out my heart. Some said, “There isn’t enough money there.”Some said, “It’s too bad there. I couldn’t raise children.”Some said, “I’m going into foreign missions, where things don’t seem so dark.”Some said, “The suburbs are so nice.”Some said, “But I like it here on the farm.”Some said, Some said…    And one by one they turned their backs and began to walk away. At this moment my dream was shattered by the sound of a great and mighty whisper, almost a pleading sound; And a voice said: “Come, for I am hungry in the darkness.”And a voice said:“Come, for I am thirsty in the darkness.”And a voice said:“Come, for I am a stranger in this asphalt jungle.” And a voice said, “Come, for I have been stripped naked, naked of all legal rights and protection of the law, simply because I am fro another country in the darkness.”And a voice said:“Come, for my heart is sick with hopelessness and fear in the darkness.”And a voice said:“Come, live with me in the prison of my segregated community, and we will break down the walls together.”And the voices were many,And the voice was one, And the Christians knew whose voice it was. And they turned, And their faces were etched with the agonies of decisions. And the dream ended. But the voice remains, and the choice remain, And the city still yearns for light. And the King who lives with the least of his brothers and sisters in the asphalt jungle…Yearns for us to listen and come quickly..........to come in solidarity........


"Light in the Asphalt Jungle" is a poem by the late Vincent Gordon Harding (July 25, 1931 – May 19, 2014) V.G Harding was an African-American historian and a scholar of various topics with a focus on American religion and society. A social activist as well, he was perhaps best known for his work with and writings about Dr. Martin Luther King, Jr., whom Harding knew personally. Besides having authored numerous books such as There Is A River and Wade in the Water: The Wisdom of the Spirituals, he served as co-chairperson of the social unity group Veterans of Hope Project and as Professor of Religion and Social Transformation at Illiff School of Theology in Denver, Colorado.(Used with permission)